Traditional Temari crafting in
Japan is
supported by the Japan Temari Association, headquartered in the Temari
Museum in Tokyo. The Japan Temari Association (literal translation from
the Romanji is "Japan Temari of Group/Society") maintains
physical headquarters/main office in Tokyo, including the JTA Temari
Museum. The offices and museum additionally house a Temari library,
supplies shop, and museum shop (to purchase finished temari). The
temari on display are rotated monthly, and comprise many works of
students and teachers of the Association. Successful applicants for
Shihan/Teacher and Kyoujyu/Professor (levels 3 and 4) will have
the temari that they submitted for judging become property of the JTA,
to be used in both the rotating temari
displays (as well as mobile exhibitions) and also offered for sale in
the museum shop (to help support the overall mission of the JTA as well
as generate operating capital).
The JTA publishes an
informational brochure that carries the basic history of the
organization and history of temari, which (thanks to MHJCA
support and help) has been translated into English for us. While the
brochure itself cannot be posted here until we gain permission, we can
share the
translated content. The following is
provided to us with thanks by Setsuko-san:
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About Temari: While an ancient Japanese Temari is said to
be
originating from Kemari (kickball type game) and originally coming from
China and made from deer hide during the Asuka period, Temari (hand
ball) called Onna Mari were used by women in the royal court castle to
show off and compete with their kagari (stitching skills) to gain the
attention and favor of their favorite princes. The temari used to be
made with kakagari (using silk threads) among the upper class, but when
cotton threads became readily available in modern times, regular/common
people began making them using cotton thread. Temari made in this way
spread to many areas of Japan and each area established its own
recognizable style. Temari is a traditional, highly artistic culture
and skill in that each design shows the unique characteristics of the
maker's free ideas and creativity.
About Nihon Temari no Kai Establishment: In 1968, "Temari
Twelve
Months" was published by President Emeritus Chiyoko Ozaki (known to us
now as Ozaki-Sensei I). It was greatly accepted by many people who love
Temari from all over Japan. Popularity grew so much that in 1979, Nihon
Temari no
Kai was established in Tokyo. Since then for more than 10 years, more
than 20 books in which traditional Temari making techniques and designs
from many areas of Japan, as well as newer, more modern designed temari
were published and introduced. Japanese Temari became so popular among
people in countries outside of Japan that Nihon Temari no Kai has been
holding instructional classes as well as traveling exhibitions in many
places around the world each year.
Purpose/Mission of Nihon Temari no Kai: To continue and
carry on the
traditional Temari craft, promote its artistic quality, and foster
successors to the traditions of the craft. Along with them, we deepen
understanding among members, help with international and Japanese
cultural exchanges.
Activities of Nihon Temari no Kai: Temari Gallery
(rotating
monthly exhibits), Lectures, Training, Social gatherings, Cultural
exchanges and volunteer works, Certifying of craft skills, Newsletter,
Books, Publications, and other works necessary for the goal of
preserving and promoting traditional temari.
General Information: The gallery of ancient, traditional
Japanese
crafted Temari
is open and you are invited and urged to visit. Every month the
exhibition of displayed Temari is changed.
Located at: 1-15-12 Seta, Setagaya-Ku, Tokyo 158-0095, the Museum is
open from 10am to 5pm with the last visitors admitted into entrance at
4:30pm. The Museum is closed on Tuesdays, the last day of every month,
for end of year/New Year from December 28 to January 3, and for Obon
Festival from August 12 to August 18. JTA members are admitted free of
charge with presentation of their membership card; all other visitors
are charged a 300 yen (approximately $3.00US) admission fee.
(2009 notes: Experience from several visitors that have headed out to
find the JTA while in Tokyo also suggest that you check with the desk
in your hotel and have them call the JTA to be sure that it's open as
scheduled. You usually can also get some assistance for travel
directions from hotel personnel. The JTA headquarters is actually in a
residential section of Tokyo, so plan accordingly. At present there is
no one at the JTA that speaks or writes English, so if you don't speak
Japanes or have a Japanese person with you, be aware of the need to
adapt.)
********************************************************************
If you are planning to visit Tokyo and wish to check out the JTA, here
is some "hands on" info,.... from Sue H. who has lived in two
occasions
in Japan, here is some information:
Click
here to view map of this section of Tokyo.....
"...... the area around
the
museum
is very hilly - (like San Francisco kind of hills). Also, because
the museum is in the "suburbs" (if you can call wall-to-wall houses and
tiny streets "suburbs") the train stations are mostly private lines,
and
not as "English" friendly as the JR (Japan Rail) ones further into the
downtown area. Knowing the address is very
important. Each
utility pole will have the name of the area (SETA) (usually only in
Kanji),
the "chome" (pronounced cho-may) number(1), and the block number
(5).
A taxi driver will probably not have heard of it, but they (or the
train
station people) may have encountered St. Mary's International School,
which
is just up the (west if I remember right) hill from the school.
If
you get to St. Mary's, it is an easy downhill walk to the
museum.
By Train: Take Shin-Tamagawa line to
Kami Noge
(ka-me
noh-gay) station (visible on the map). The exit from the station
will bring you out to that main street. As you exit the station,
cross the major street
and
turn right. You will walk for about 10 -15 minutes until you walk past
the University (think small) on the left, and see the post-office on
the
corner across the street (look for that little T symbol with the line
over
it which means post office). Turn left. Do not be deceived
by the lines on the map - although it is a "main" road that passes the
museum, it is still a narrow 1-car-wide street. Clue, however, is
that it slants downhill steeply, with a tiny sidewalk on the right-hand
side. Look for utility pole signs that change from Seta 3 chome
(where
you just came from - left side of the street) to Seta 1 chome(on the
right
side of the street). Also the intersection has been named (useful
for taxi drivers and locals) "Tamabidai-mae" (tah-mah-bee-dah-ee
my)...can't
recall if there was a sign on the intersection, or if it was also in
"romaji"
(Alphabet letters). As you walk down the hill, you should note
that
the
utility poles on the right side of the street will change from Seta
1-18
to Seta 1-16, then Seta 1-5. There are also two streets that
enter
from the right, only a few yards apart... OK, so these streets look
more
like driveways.... they're still streets. As you face these two
tiny
streets, the one on your left divides block 5 from block 16, and the
temari
museum (in block 5 - to the left) will be the first building on
the corner. You will need to walk up-hill on this tiny street
a short distance to access the entrance. (red rectangle on the map)
Do note that from the outside, the Temari Museum
looks like nearly any other small Japanese house. I believe there
is a bell to ring.
Just inside the door, you will need to remove your shoes. Most of us
find
the
concept of "museum" to be some large building housing thousands of
artifacts.
It is most surprising to discover that the temari museum in Tokyo is
housed
in a tiny building, and comprises of a single room with several display
cases. As is typical of these small Japanese "museums", they
frequently
change their displays so you can return week after week and see
something
different...."
With thanks to Sue Hayashi.
===========================
(please note - the establishment of this website as
TemariKai.com is
not a formal association with the JTA - TemariKai.com was named with no
knowledge at that time of the the formal Japanese
name and Romanji translation of the JTA. Temarikai.com came to be
through as suggestion from a
Japanese friend in 2000, since "Kai" translates in several ways
including "gathering,
society, world" and represented what the website mission and function
was and is in relation to the craft).
Click to
enter Temarikai.com
Last updated 11/09 © 1998, 1999, 2000,
2001, 2002, 2003, 2004, 2005, 2006, 2007, 2009
G.Thompson, Japan Temari Association, Sue Hayashi, Ai Mizuta,
Setsuko Aday