From Susan L, Nebraska: Looking through the Japanese books made me
curious
about some of the recurring Japanese motifs and what they mean.
The
book "The Techniques of Japanese Embroidery" by Shuji Tamura has some
interesting
information concerning them.
One of the motifs I have had a hard time
understanding
is the turtle with the green flowing stuff coming off it's back side.
This
book mentions that the tortoise shares with the crane the quality of
longevity,
possibly because it's life span is so long, streaming moss sometimes
grows
from it's shell. It also mentioned that it is generally depicted
in stylized form by the hexagon, either as an all over pattern or in
lone
or grouped motifs.
The crane is mentioned as
the most popular bird, representing a wish for longevity. The
crane
( as with other birds) carries seeds within its body and is thus
considered
to bring new life.
Plums, pines and bamboo
(the 3 friends of winter) appear together as auspicious symbols and
often
go by their Chinese name sho-chiku-bai. The pine and the bamboo
symbolize
endurance, since they remain green all winter. The unchanging
appearance
of the pine brings a feeling of good luck and happiness. It is
also
a symbol of longevity because of it's long life. Since bamboo
grows
quickly to its full height, it is considered to be full of
strength,
indicating nobility, purity, honesty, and serious character. The
plum which blooms while there is still snow, symbolizes new hope and
since
an old tree still produces blooms, it too stands for longevity.
Ferns, because of their
many spores, suggest a wish for prosperity. Fans because of their
broadening size, a which for increase. The flax-leaf pattern
expresses
parental hopes that children will grow straight and tall.
Overlapping
diamonds stand for pine bark. The cross is a symbol of
expansiveness.
Overlapping circles also symbolize expansiveness.
The carp represents strength
and perseverance. In the time before paved roads only members of
the imperial court could use wheeled conveyances so depiction of an
imperial
cart in an embroidery raises it to a high level of dignity. Since some
of the temari have wheels on them I assume they would have the same
meaning.
One motif that
appears often in the temari that has also been puzzling me
is one that appears along with fans in some of the designs. It
looks
like to pieces of sticks with a tie near one end.The only possible clue
that I found in the book was the legend of the ' Old Couple of
Takasago'
who were given the care of the pine forest. Every night she would
sweep out the old needles, representing bad luck and he would rake in
the
good luck. Even when the couple are not shown the rake and the
broom
convey the essence o this story and carry a wish for marital
happiness.
Could this motif represent the broom?
There is also a paragraph in the book that I will quote because I think it could apply to the embroidery done on temari as well as other types of Japanese embroidery: "In the word nui-do, nui means embroidery, and do means way. There are three aspects of nui-do: The acquisition of technical skills and knowledge, the development of the sensitivity and awareness, and the constant spiritual components of the art of embroidery, resulting in an attitude of peace, calm, and harmony. Great skill alone, that is only the technical part, does not produce art." (The Techniques of Japanese Embroidery" by Shuji Tamura)
So, next time
someone
complains that you're spending too much time working on your temari
tell
them that you are working on developing the qualities of peacefulness,
calmness and harmony, sensitivity and awareness!.
I know that for Boy's Day
(May 5th), one of the symbols given to celebrate the occasion is a
white
arrow (decorated with bells, purple cord and auspicious writings). Your
research on the motifs bears out much of the ancient beliefs and wishes
of the Japanese. Remember, Japan was a closed country until the
turn
of the century - 1900. That helped to keep much of the traditions
and superstitions in their "pure" form. Like much of the rest of
the world in "ancient" times, the high rate of mortality in childhood
took
a toll on the population. The Shichi-go-san (7-5-3 festival in
October) celebrates those children who have reached that age during
the year. If you were lucky enough to survive until the age of 7,
then you would probably grow to reach adulthood. That too, is
celebrated
in January with "coming of age" day, for those who reached the age of
20
during the previous 12 months.
Of the motifs you have mentioned, you will
frequently
find cranes and turtles on cards, or gifts used for births, marriage,
and
other "yearly" events. The bamboo, pine and plum are frequently
seen
on everything from lacquered dishes to kimono, and yukata. Sakura
- cherry blossoms are also representative of the fleeting beauty of
life
- a good reminder to treasure the moment. The wheeled cart can
frequently be found as part
of the decoration on a wedding kimono, or in an even more concrete form
as a miniature wheeled cart holding a vase of flowers on a table in a
home
or restaurant. One of the signs of royalty was a flat stick-like object
with long multi-colored ribbons on the end. You will often see
it as part of the costume for a wedding, or used in Hina-dolls.
You can't go wrong with any type of crane or turtle design for a birth
(especially in red (note: the red used should try to be a "Chinese" Red
- almost on the orange side, not a "Christmas" red) and white).
Weddings use cranes, pine, and bamboo. Oddly, anniversaries
are not really observed like they are in the US, although any of the
above would be most suitable, if one is searching for a
symbol. (The reason I know about the
anniversaries is that when our Women's Society decided to gather
birthdays and anniversaries from it's board members for the Sunshine
Chairperson, many of the Japanese members either didn't know their
anniversary date, or appeared shocked, embarrassed, shy, withdrawn, -
as if some sort of privacy line had been crossed.)