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In the
spring of 2005 I did a Google search for images of “spherical geometry.” One of the images (dielectric sphere) was
part of a scientific paper about electricity.
After I stitched a temari of it I was reminded of lines of
longitude and
latitude. It occurred to me that a
temari globe might be possible.
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| The mari
core was wrapped with yarn and then dark blue thread.
The final wrap was done with 2 strands of
variegated and 1 strand of solid rayon sewing thread.
Because this thread is extremely slippery I
secured the wrap with zigzag stitches all over the mari
using the same variegated blue rayon
thread. The final circumference was 20.5
inches, just shy of 7” in diameter. Even
though this thread is a real pain to use, it gave the wrapped mari the
look of
sunlight glinting off the ocean! Exactly
the effect I had hoped for! Without this
contrast between the water and the land, the Temari Globe would not be
nearly
as exciting! The
wrapped mari was divided into 18 Simple Divisions with an obi. This is “temari talk” for 18 equally spaced
vertical lines which circle the sphere and intersect at the North and
South
poles. The obi is the equator. The mari was also measured for 9 additional
equally spaced mark lines above and below the obi.
These lines were stitched with bright Red
thread to serve as guide lines which would be removed later. How to stitch the continents? The traditional stitching patterns used for temari did not seem suitable for creating land masses. The shapes were just too detailed. However, a temari technique for fabric appliqué overlaid with a thread grid looked promising. Counted cross stitch would allow for precise color placement and seamless coverage. The embroidered fabric could then be stitched to the wrapped mari.
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To kick myself into gear on this project, in early November I went to the needlepoint store to look at threads. After an hour of drooling over the variety of threads available I selected my colors and purchased some 18 stitches-to-the-inch waste canvas. (Waste canvas is a fabric grid which is meant to be removed after the stitching is complete.) This was basted to some cotton fabric. Now I was prepared to stitch! My son, Christopher, gave me the final key to the puzzle. I was looking at flat maps in books and on the internet. It was messing up my spherical thinking. I needed to make an outline of the continents so I could draw my color chart onto the waste canvas. Chris remembered a geography project we had completed at Cub Scout Day Camp. The Cub Scouts had cut out a paper globe printout and glued it onto a tennis ball. The kids loved it! John Cassidy’s “Earthsearch – A Kids’ Geography Museum in a Book” by Klutz Press is the source for the tennis ball globe and a wealth of other hands-on geography projects for kids. It is absolutely wonderful! The wrapped mari was measured from pole to pole. I enlarged the “tennis ball” master to fit my mari and made several copies. One I carefully put away so I will have it for future reference. The other I cut into individual continents. The beauty of this master is the small pie wedge cutouts in the larger continents to allow for the curvature of the earth. I didn’t have to figure those “darts” out myself. Thank goodness! I pinned all of the paper continents onto the wrapped mari to be sure the sizes were correct. They Were! So with great excitement during the first week of November (2005) I began stitching. |
Europe and Asia, canvas completed showing open wedges and sewn darts, to form sphere. |
Africa, stitching complete |
| Antarctica,
showing waste canvas appliqued onto backing fabric to stitch; finished
and trimmed |
Australia,
complete |
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In January Piecemakers Country Store in Costa Mesa holds it’s annual
“thank you” luncheon for all of their teachers. At the 2006
luncheon I asked to be seated next to an experienced appliqué
quilter. Pat Palmer looked at my work in progress and made some
wonderful suggestions for how to proceed. While my husband, Tom, skied
for a week in February, I sat in the warm lodge and cross-stitched the
outlines of my continents. Pat had suggested that if the
continents were outlined in the same color as the ocean, my
appliqué stitching would be less visible. This proved to
be some of the best advice I received. On March 8th at about 9:45 p.m. I finished the cross stitching! Or so I thought. The next morning in the harsh light of day I discovered about 30 individual missing stitches scattered throughout the continents. I carefully made a list of locations and began to correct my omissions. By March 10th the stitching was truly complete. I cut out the continents and began removing the waste canvas. What a royal pain in the @#*%! |
| This shows the progression for
each piece - the waste canvas on fabric backing, and being cross
stitched; the stitched piece trimmed and excess canvas removed; canvas
threads being pulled; complete. After all the waste canvas is removed,
the darts are stitched to fit the applique into the globe shape to fit
onto the prepared temari. |
On March
18 in the middle of March Madness I began to place the finished
continents onto
the mari. Using the red stitched
meridian lines the placement actually went very fast.
Stitch by tiny stitch the continents were
secured to the wrapped mari. Next I
added a few islands worked in French Knots in the oceans of the world. Can’t have a globe without the Hawaiian
Islands and
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After
getting a little sleep and posting some photos on the internet it was
time to
crank out some big thank you letters! The first one went to John Adams
for his vegetation charts. The email address which was linked
with the charts must be an old one, because his message bounced back to
me. Maybe some time he will discover this story and know how
grateful I am to have found documentation of his research. The
beautiful colors on the globe would have been much more difficult
without his charts. Next I emailed the folks at Klutz Press. They
replied with a joyous message of congratulations on the project.
I am a huge fan of Klutz Press books. My kids grew up with their
books. It is always fun to see what they will do next. The
Earthsearch book provided me with paper pattern outlines for my
embroidery. I asked them to share the Temari Globe story with
John Cassidy, the author of Earthsearch. I want him to know how
valuable his book was, not only to me and my Temari Globe, but also to
all of those Cub Scouts! NASA’s Earth Observatory got a long
thank you letter and photos from me for the inspiration their website
provided. I’ll say it again, you must visit EO and see the
photos. They are amazing. The National Geographic Society also
received a group of photos. I would really like to see an article
in NGM about our beautiful craft of temari. Such an article might
encourage young people in Japan to become more interested in their
unique native craft. It might also inspire others around the
world to give temari a try. Thank you to all of the temari stitchers I
consulted about the Globe project. You encouraged me and offered
great suggestions. And the biggest help of all was your secret
support. I know it was hard not to tell, but I didn’t want the
word out too soon. I needed some “wiggle room” in case things
didn’t go as planned. It would have taken me another 6 months to put
together a website to tell the story of the Temari Globe. Ginny
at Temarikai.com saved me with an offer to put together this photo
journal. Thank you, Ginny! It has been a fun journey!
I have learned a lot along the way and made many new friends.
Hope you enjoyed the story.